The Oscillating Fan Club, “Potential Getaway Driver” (Loco Gnosis, 2007)
“A new video for an old song” reads a recent MySpace bulletin from Detroit’s surfedelic weirdos the Oscillating Fan Club. Okay, we’ll bite. And since their new album is the balls (the good kind of balls), we’re happy to showcase the clip for “Potential Getaway Driver” off of 2007’s Beatles Catting Wildly. Please observe, as time-lapse camera work shows speeding cars intermingling with kaleidoscope effects and hazy shots of the band doing what bands do…which is, ya know, rockin’ and shit. We’re not sure, but on the right kind of drugs, this is probably a whole lot better than playing “Grand Theft Auto.” — Ryan Allen
The Oscillating Fan Club, Feverish Dreams As Told By… (Loco Gnosis, 2008)
MP3: “Party Hat”
Just when you thought Detroit’s rock underbelly was done cooking up inspirational and original jams (we’re talking the likes of Wildcatting, Prussia, and Dutch Pink), the Oscillating Fan Club‘s Feverish Dreams As Told By… comes along and drops a massive and awesome surf-influenced psyche-rock bomb directly on our heads. Formed in 2004 by high school chums Ray Thompson and Pierce Reynolds, the OFC came together over a joint love for 1960s Brit-pop and the more experimental sounds of string wranglers like Sonic Youth and Television. After kicking around for a few years — releasing one EP entitled Beatles Catting Wildly for local-indie force Loco Gnosis in August of 2007 — the OFC have honed their influences, and the result is this 16-song strong monster of an album. Rowdy tracks like “My Grave Face” may nod to the Pixies, and “Suburban Lovers of the Dead” would appeal to anybody looking for a perfect modern combo of Tapes ‘n Tapes’ quirk and the Shins at their most amped up, but mostly, these dudes are digging on some different shit all together. While other groups waste their time searching for the perfect pop moment, or perhaps beating a dead horse, the OFC are busy digesting and regurgitating reverb-drenched surfedelia (“Party Hat”), Eastern European-style guitar skronk (“7 Nights in Khartoum”), and space-aged bachelor pad inspired instrumentals (“Acoustic Jellyfish”) — all flanked by moments of psyche-rock brilliance that wouldn’t be out of place on Olivia Tremor Control’s classic Black Foliage album. It’s the kind of stuff that would make Thurston Moore, Frank Black, and local psyche-pop hero Matthew Smith (of Outrageous Cherry) freak out with enthusiastic glee. Plus, these guys put on a live show that is as unpredictable and unhinged as the directions they choose to take on Feverish Dreams; a winning combination, if you ask us. Score another one for Detroit’s new school of weird. — Ryan Allen
The Oscillating Fan Club’s Record Release Party, w/ Zoos of Berlin + Kindle • 8/2 • The C.A.I.D.