Posted by: detourmag on July 9, 2007 at 10:35 pm

SMASHING PUMPKINS, Zeitgeist (Reprise/WEA, 2007)
Calling Zeitgeist a Smashing Pumpkins album is uncomfortable, like trying on a favorite T-shirt after it’s shrunk in the wash. Sure, that shirt still looks cozy, hip and familiar. But the tightness renders it all too unpleasant. Zeitgeist just doesn’t fit right. It may sound like a Smashing Pumpkins album, it may smell like a Smashing Pumpkins album. It even kind of looks like a Smashing Pumpkins album. But it doesn’t quite taste like a Smashing Pumpkins album.
Replacing the line-up of guitarist James Iha and bassist D’Arcy, Jeff Schroeder and Ginger Reyes can’t close the deal on the great Pumpkins comeback. The band was always primarily an outlet for Billy Corgan’s songcraft - an amalgamation of complex, grungy pop rock with hints of psychedelia - but after both of his post-Pumpkins travesties (the half-hearted Zwan and forgettable solo shot The Future Embrace), calling out Zeitgeist as a third attempt to reunite Corgan with his past hit-making supremacy seems an obvious naysay.
As notoriously difficult to work with as big Billy is said to be, it’s nice to find Jimmy Chamberlin’s face behind the drum kit. His inclusion is logical; Chamberlin is the only Pumpkin who didn’t leave his alma mater by choice. (He also reappeared with Corgan in Zwan.) But regardless of Corgan’s skills as a personnel manager, Zeitgeist fails to deliver songs worthy of the great comeback brouhaha.
Opener “Doomsday Clock” and lead single “Tarantula” recall the original Pumpkins formula-crushing guitars with indelible hooks and delicious pop melodies-but too much of the album sounds like filler. The majority lack the venom of “Bullet with Butterfly Wings,” or the wistful nostalgia and hope found in “1979″ or “Disarm.” Instead Zeitgeist settles for bland, modern radio rock with typically crunchy guitars and even more typically uninspired melodies. “That’s the Way (My Love Is)” attempts to repeat Corgan’s past flair for balladry, but his whine of “I’m always there for you” just sounds empty at best.
Zeitgeist is satisfactory for fans desperate for more Pumpkins, or those looking to rekindle that 1990s pop-grunge spark within their sonic hearts. But it’s clear the band peaked with the enigmatic, two-disc opus Mellon Collie and the Infinite Sadness. Despite Corgan’s attempts to resurrect his dying phoenix, Zeitgeist just doesn’t live up to the hope, let alone the hype. — Natalie B. David




